|
 |
|
EDWARD EVES
Edward Eves was arguably one of the
greatest post-war motor racing photographers. Respected as both an automotive
journalist and photographer, he was one of the first to use colour, which was
seldom used in the 1950s and 1960s, as newspapers and magazines were still
being printed only in black and white. He died in 1999. |
|
TOM MARCH FRPS
Tom March, a fellow of The Royal
Photographic Society, was frequently seen at the majority of motor racing
circuits in the country with his trusty Leica and has exhibited his work at
many shows, including The Royal Photographic Society. As well as an extensive
selection of black and whites from the late 1960s/early 1970s era, Tom also
took an evocative selection of colour motor cycling transparencies from the
early 1950s. |
|
NIGEL SNOWDON
Nigel Snowdon has been a leading Grand
Prix photographer since 1963. During that time he has covered more than 450
Grand Prix as well as countless other events around the world, including the
Steve McQueen film, Le Mans. In collaboration with his wife and fellow
photo-journalist, Diana Burnett, they have captured a compelling, contemporary
view of motor racing. |
|
DIANA BURNETT
Diana Burnett, originally trained as a
teacher before moving to a photographic studio to manage the accounts, has
followed Nigel all over the world. She has complimented Nigel's photographs and
created many superb motor racing images, especially portrait and motor cycle
shots. |
|
COLIN TAYLOR
Colin Taylor was responsible for many
fine motor racing photographs, particularly at Brands Hatch for the British
Grand Prix and Race of Champions in the late 1960's and early 1970's. We are
proud to offer an extensive collection of this most prized work. |
|
|
ABOUT
JARROTTS